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  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?

  • – Without Text

    Every number of -Without Text is focused on a single issue of a different foreign newspaper. All text elements are simply taken away and the visual material is left on its original place. The project tries to incite the viewer to think about the image that we create of foreign cultures while observing their media and how we end up making interpretations based on our own beliefs without understanding the language. Which assumptions and prejudices do we make for photos when their context is unknown for us? How much of our opinion is build solely on the grounds of disconnected and isolated images?